ATOMIC CREATIONS
Built to be played with.
Pocket instruments and experimental light objects, one small batch at a time.
From the lab
GLIDE · POCKET SYNTH
No menus. No apps. No manual.
Every one of these is a key or a gesture, not a setting you go looking for.
Scale lock
Every key is in the key. Press anything, in any order, and nothing you play comes out wrong.
Glide
Hold a key, tap another on the same row. The note slides across like a finger up a string.
Auto-key
Play any song out loud and hold fn+k. GLIDE listens, then tunes itself so everything you play fits that song.
Gyro morph
Lean the whole device to blend two sounds mid-note. Tip it sideways for vibrato.
Randomizer
One tap invents a brand-new sound from scratch, one nobody has heard before. Undo if you miss, save it if it hits.
Loops & drones
Latch a bass note under your playing, layer a loop over it, and build a whole song on one device.
No two sound alike.
GLIDE player reports
Don't take our word for it.
I've been playing music for 15 odd years and soloing never once came naturally to me. I can play this thing with my eyes closed and I swear to you it still sounds good. An absolute game changer for approaching music for me.
Extremely easy to play. One of the best tools I have in my stack — any moment I need something to fidget with, I'm picking up the synth.
Loved synths all my life, and as technology progresses I always see amazing things pop up — one of those things is GLIDE. It lets you jam hassle-free and enjoy music on the go, just like if you had a harmonica in your pocket.
Small batches. Real hands.
Every unit is built, flashed, and played before it ships. One person, one bench. That is why batches are small, and why they go quickly.